Tuesday, September 17, 2019

CARING HANDS at Mattatuck Museum

CARING HANDS at Mattatuck Museum, September 22nd, 2019 - January 5th, 2020 



Address: 63 Prospect St, Waterbury, CT 06702

Opening reception Sunday September 22nd, 1pm-3pm
Artist talk at 2pm


Maryna Bilak's art address the process of caring for someone with Alzheimer's Disease - in this case, the artist's mother-in-law, Dorothy. Bilak explores the different roles that the act of caregiving requires from each person involved. Caring Hands is a series of 18 plaster casts the artist created from hands of those who work with Dorothy. This exhibition will take place on the second floor at Rose Hill, Mattatuck Museum.


marynabilak
marynabilak artist
mattatuckmuseum
www.marynabilak.com
художниця марина білак 


Wednesday, March 27, 2019


 Hudson-based Ukrainian artist Maryna Bilak exhibition at Hudson Hall
January 25, 2019 10:57 am


 
HUDSON — Hudson Hall presents Maryna Bilak: CARE, an exhibition documenting the unseen process of caring for someone with Alzheimer’s—in this case, the artist’s mother-in-law, Dorothy. Through charcoal drawings, fresco, sculpture, and painting, Bilak’s installation delves into the different roles that the act of caretaking requires from each person involved, including the patient herself.

The exhibition opens with a reception with the artist on February 2nd, 2019 from 5 to 7 p.m, featuring a performance of an original song composed for the exhibition by Memphis-based pianist Michael S. Jaynes. The piece is inspired by Jaynes’ own experience caring for his mother,also an Alzheimer’s sufferer. Molly McCann, MHA, Associate Director of Programs and Services: Diversity and Inclusion Initiatives, at the Alzheimer’s Association of Northeastern New York will also be speaking. Maryna Bilak: CARE is curated by Emily O’Leary and is on view until March 17.

Dorothy—mother, patient, older woman, mother-in-law—is the conceptual and often physical nexus for each work in CARE. In a series of traditional charcoal portraits, Dorothy is depicted chronologically, starting with softly rendered images of girlhood that evolve gradually into more harshly rendered scenes of the subject in the last vestiges of the disease. The small-scale frescos provide limited glimpses into Dorothy’s features—an eye, a mouth—and reflects on the disintegrated and fractured mental state that accompanies Alzheimer’s. The installation focuses on the tangible and intensely personal, incorporating clothing, nail clippings, hair, and plaster casts of hands and feet.

A series of cast-off hangers, clothing, including a headboard that once belonged to Dorothy turned on its side, becomes a delicate, conceptual artwork. By engaging directly with these objects, they adopt newfound significance and become an artistic language in which Bilak speaks to the experience of what it is to be a caregiver.

“This body of artwork was created as a response to the long-term care provided by my husband, Maurice and I to his mother, an Alzheimer’s sufferer,” she says. “This project is about life with a mentally and physically disabled person, and all the dedication, sacrifice and responsibility that comes with it. It is about mother, son, and artist. It is about a family,” she says.

Born in the Carpathian Mountains in West Ukraine, Maryna Bilak received her first MFA from Subcarpathian National University (Ukraine). After, she studied at Balassi Bálint Hungarian Cultural Institute in Budapest (Hungary), Charles University in Prague (Czech Republic), and in 2014 received her second MFA from New York Studio School. Since 2001 Maryna has exhibited her work in Ukraine, Hungary, Slovakia, Russia, and USA. Her recent solo show Buon Fresco/Fresh was featured at John Davis Gallery. Maryna lives in Hudson, NY, with her husband Maurice Haughton, daughter Irina and her mother-in-law Dorothy.

Sunday, February 3, 2019

The Rural We: Maryna Bilak

The Rural We: Maryna Bilak
Artist Maryna Bilak’s Winter Star sculpture has been a highlight of Hudson, New York’s Winter Walk for the past two years. Now, you can see more of her work in a new solo show, “Care,” opening at Hudson Hall on Saturday, Feb. 2. Through paintings, charcoal drawings, fresco and sculpture, Bilak documents what it means to be a caretaker for someone with Alzheimer’s and delves into the varied roles each person involved plays, including the patient herself. Born in the Carpathian Mountains in West Ukraine, Bilak studied in Budapest and Prague before receiving her second MFA from the New York Studio School. She lives in Hudson with her husband Maurice Haughton, daughter Irina and her mother-in-law Dorothy. 



I came to America in 2012 to study at the New York Studio School in Manhattan. It’s my second MFA, but the education was so different from my previous studies. It really changed me as an artist. I learned not how to make art but to ask myself why I do what I do. As I was approaching graduation, in 2014, I had a show in New York and one of the guests at the show was Maurice. He’s the reason I stayed in America. We got married and moved to Hudson, and now I have my art studio right next to the house, so I can work any time I want. Most of the art for this exhibit was made after my daughter was born; it was a very intense time. My daughter is the direct connection to my mother-in-law, who suffers from Alzheimer’s.


We moved to Hudson in 2015, but the caregiving started five years ago, when we were first dating. Most couples go through this after 20 or 30 years of marriage, but we were still in the romantic period. I became the main caregiver for Dorothy when she was still mobile, but I did all the cooking, I showered her, all these kinds of intimate things. I was working in the apartment and I would sculpt or paint on the terrace and she would watch me. When someone has Alzheimer’s, they are losing their ability to smile, but sometimes she would smile and laugh and we really had fun. I was so happy to see that she was happy. That was the beginning of our relationship.

So many people say it’s beautiful and nice to be able to care for someone like this, but it’s extremely challenging and it’s more than artwork can express. It’s something that people don’t like to talk about. There’s a level of resentment. Many people forget themselves and dedicate themselves to the person who is sick. We talked to professionals on how to deal with it, because we felt like we were disappearing.

Having Dorothy progressing with the disease put some challenges on our relationship. Very often I would go to my studio for a break; I would escape there. I tried to convince myself that it was my happy place and my rescue, but all my thoughts were still focused on the everyday experience of sharing space with someone who is mentally and physically disabled. When the denial passed, I was standing in my studio and I starting seeing some patterns in my work. I started noticing it had those connections, so I decided to embrace my situation. My mother-in-law became my model and a great inspiration. She likes the attention and I love to make art. Her features are perfect for sculpture and painting. When she was posing for portraits, she was normal, but as soon as I was finished, she would go into another world that we don’t understand.

The fact that I’m an artist, and it was the only thing I never gave up, really saved me and my marriage. The art is about Dorothy, but also about me and my husband. The part of the exhibit called “Monologues” is writing, and it’s a representation of thoughts from different perspectives. There are 12 characters and I tried to figure out how each feels. Dorothy is shown as three persons: a mother-in-law, an older lady and an Alzheimer’s s patient. Maurice is a son, a husband and a man, and I’m a daughter-in-law, a wife and an artist. It’s about how we learn how to live with each other and go through the struggles.

This is only a tiny expression of my experience, and the variety of materials speak to all the varieties of situation that come with care. “Caring Hands” is a special work because it’s a collaboration. I invited everyone who helped us with Dorothy, who provided either physical or emotional support. I mixed plaster and they each held it in their hands until it set, about eight minutes. It’s a series of hands, installed on one wall, framed but with no names, so it’s anonymous. It’s very symbolic in that it shows how many people it takes to care for someone.

Another part of the exhibit is a series of plaster abstract sculptures. Dorothy would sometimes not recognize some of her clothing and would want to get rid of it. I collected the cloth and used it as material. I sewed it together like it was a body and poured liquid plaster over it. There was very little I could do to control how it set, which is just like being a caregiver.

The exhibit shows care but also how I help myself; there were tough moments and I felt very often weak and desperate and sorry for myself, which I hate. The artwork started not on a conscious level at first, but I approached my husband about the show and he was a little apprehensive. But the artwork was happening already, and then we started learning that there are so many families having to deal with this. Three people just on our block have someone who has this disease. He’s happy now because he thinks it helps remove the stigma. I hope with my show, it can bring awareness, and people can educate themselves. If Maurice and I knew more about it at the beginning, it wouldn’t have been as hard. Hopefully people can avoid the mistakes we made. And I encourage people to have something for themselves, in my case it was art-making, because it really, really saved me.

Maryna Bilak radio interview on WGXC with Ellen Thurston and Tom DePietro

Radio interview on WGXC with Ellen Thurston and Tom DePietro. 
Section starts at 1:09:40
Discussing CARE project.

https://wavefarm.org/archive/sc594p 








maryna bilak artist
www.marynabilak.com

Maryna Bilak on Roundtable show with Joe Donahue, WAMC


 Jan 29, 2019 
 
 
 
Hudson Hall in Hudson, New York presents artist Maryna Bilak: CARE, an exhibition documenting the unseen process of caring for someone with Alzheimer’s — in this case, the artist’s mother-in-law, Dorothy. 
 
Maryna Bilak: CARE At Hudson Hall  
 
 
 
 
maryna bilak 

Saturday, January 26, 2019

Artist statement - CARE at Hudson Hall at the Historic Opera House, Hudson, NY


Opening reception on Saturday, Feb. 2, from 5 to 7 p.m., featuring a 6:30 p.m performance by pianist Michael S. Jaynes. 
The exhibition runs through Sunday, March 17
Hudson Hall, 327 Warren St., Hudson.

Artist statement  
Maryna Bilak


CARE

The reality of caring for someone with advanced Alzheimer's is more insane than any work of fiction. I tried to convince myself that my studio was my “happy place” and that art-making was my rescue. But my thoughts all focused on the everyday experience of sharing an intimate space with someone who is physically and mentally disabled. When the energy of denial exhausted itself, I decided to embrace my reality and consciously navigate and dedicate my creativity. Suddenly everything made sense. I stared and began to see patterns in my artwork from the last five years—the time I have lived with my mother-in-law. She became my model, and the body I watched and touched so many times became an inspiration for the active studio process.

The work I have done for this project is only a tiny expression of my experience which is as complex as it is difficult to define. The verities of the materials speak to the endless cycle of care. Using different media allowed me to work through different emotions. Clay, plaster, charcoal, acrylic, wood, cloth, nails, lime, pigments among others learned to coexist.

There are no words and there are no colors to represent the tragedy of Alzheimer’s disease and the impact it has on people providing care. But no matter what the subject is, for an artist, good form comes first. Without a good form there is no content.

This show is a resolution: to decline to be a hero and refuse to be a victim. Every piece contributed to my process of releasing strong, repressed emotions as a caregiver, as a daughter-in-law and as a wife. Preparation for this show provided relief and served as catharsis of all the struggle and frustration.